FAULT LINES – Press Release
Paper Planes
Unrelated to my show at Paper Plane Gallery, these are some prints I made of paper plane diagrams in 2010 that I re-discovered the other day…
Pipilotti Rist “I Packed a Postcard in my Suitcase” at ACCA
Gravity Be My Friend, 2007, audio video installation (video still)
Courtesy the artist and Hauser & Wirth, and Luhring Augustine, New York
Pipilotti Rist‘s video installations immerse us in her imaginary worlds of transforming landscapes, floating bodies, and enthralling dream-like journeys of fragmented movement and sound. These sensory wonderlands are immediately alluring, enticing us with their powerful aesthetic of saturated colour and psychedelic pattern, then entrancing us with the refreshing dominance of honest, enjoyable content – an unusual quality of today’s contemporary video art that can often be difficult to relate to and unnecessarily confronting.
I Packed the Postcard in My Suitcase is the first major survery of Rist’s work in Australia. She has recently dominated the international and contemporary art scenes with her continued success at prominent exhibitions, festivals and biennales around the world. With a background in music, set design and cinema, Rist has built upon the language of film and performance to create a remarkably unique visual voice and style of utter pleasure.
The exhibition leads us on a journey through four gallery spaces. Each space uses a different mode of video projection and is themed around the classical symbols of fire, water, air, and earth. Rist establishes these as the sensory origins of her work, to challenge symbolism and twist clichés related to both the physical body and psychological states. The small, intimate scale of domestic picture frames, or by pouring out of hanging lamps, to the immersive space of light filling entire ceilings and floors, or filtering through layers of floating fabric, not only capture our attention but also bring the broader questions back into our everyday.
Small Laguna, 2011, video installation
1 projection, 1 player, 1 oil painting on canvas, 36 x 57 cm, video loop
The work Small Laguna, 2011, combines found landscape paintings of classical Venetian scenes with mesmerising visions of delving into vivid imagery of kaleidoscopic dreams. A collision of detailed, realistic 18th Century depictions with fleeting psychedelic encounters, the banal, touristic scenes come alive with the fiery magic of a night at Carnivale, where anything could happen. Like peering into a crystal ball, these exotic scenes contained in picture frames leave the viewer with a desire to be able to step into this parallel universe that Rist has created. In the following galleries, this is exactly what the artist allows.
Gravity Be My Friend, 2007, audio video installation
2 projections pointing to the ceiling, 3 players, sound system, 2 wild carpet sculptures, 2 suspended screens
video loop: 11 minute 10 seconds loop (wet),12 minutes 37 seconds loop (dry),
sound loop: 10 minutes 40 seconds,
sound: Anders Guggisberg & Pipilotti Rist.
Gravity Be My Friend, 2007, invites the viewer to lay down on mounds of carpet, set out like a topographic landscape, to gaze up at blob shaped screens suspended overhead. Here, Rist takes us on an underwater journey which flutters between seduction and innocence, mischief and joy. However this playful adventure is underlined with something more sinister. By diving below the surface of light-heartedness we are suddenly out of our depth and although gravity keeps us anchored, we are hypnotised by the darker side of the fairytale. Rist uses her seductive pull to transport us into joyful states, then plunges much deeper into concepts of feminism, the body, rituals and symbolism, all on the backdrop of innocent fantasy.
Coming up for air, Administrating Eternity, 2011, takes us from deep aquatics to the mountain tops of the Swiss Alps, frolicking with animals in a beautiful transposed landscape projected onto light veils of fabric hanging from the ceiling. Set out in the form of a labyrinth with light and image appearing in unexpected spaces from ever-changing new perspectives, it is as if we have physically entered the flowing dream maze that Rist has created in our minds from the beginning of the exhibition, to guide us to our final destination.
Although the work is dense with classical references to icons and elements of mythological and religious histories, Rist encompasses this worldly journey into a enthralling experience of pure enjoyment. She manages to capture our imagination and run with it, and we are willingly taken along for the ride. It is refreshing to be able to appreciate contemporary art in this way – to be entertained, seduced, humoured, and completely absorbed, and to be challenged to not take the art world too seriously.
Review published in the February issue of Art Almanac. Pdf available here.
Pipilotti Rist I Packed a Postcard in my Suitcase is currently showing at Australian Centre for Contemporary Art, Melbourne, until March 4, 2012.
Sydney Art Month
Very excited to be part of Art Month Sydney, with my solo show Fault Lines at Paper Plane Gallery.
The show will open on Friday March 9th, with the Rozelle Precinct night of Art Month.
Stay tuned, many more details to come!
Simon Evans
Simon Evans‘ work is filled with with dark humour, handwritten confessions, simple words, cut and paste.
John Dilnot
Maps, books and birds – 3 of my favourite things beautifully used by John Dilnot as prints and boxed works.
Pigeons Over London
Somewhere and Nowhere
Pocket Atlas – Heading South
New work
Work in progress – sewing an airport map (Heathrow) into a dress making pattern. A lot more involved than first expected, as usual, and have reworked it a few times, cutting it up and sewing it back together. Original title was going to be Machines of Loving Grace (I like naming works before I even start them, it gives the idea more life).
Detail:
I’ve worked on this one in my room rather than studio:
Mark Powell
The Joy of Books
Beautiful Volcanoes
Have a good trip..
Airports as seen from google earth are intriguing enough, but in his series ‘X-plantation Hubert Blanz has manipulated these aerial shots into weirdly stitched together mazes with odd perspective points, creating unsettling but fascinating industrial environments.
The Great Escape
Tim Etchells
Embroidered X-rays
Google taught me how to be human
My work in the Uncanny Valley show at Hardware Gallery, as part of the Sydney Fringe Festival.
Google taught me how to be human was made in response to an article about a ‘Germinoid’ – an incredibly humanistic robot. The article includes videos about the robot’s breathing scheme, making and shaking its hand, and its first smile. (view the article here)
In response to this, these mock instruction manuals use text and diagrammatic imagery taken from Google and Wiki-How, explaining how to carry out these actions that we consider entirely natural.
The instructions are layered over old circuit diagrams to put them in the same realm as mechanical or electronic processes and devices, creating a complex and contradictory merging of instinctive actions that don’t require teaching, and formulaic instructions.
By playfully treating second nature behaviours and instinctive concepts of social etiquette as mechanistic operations, this work insists that there are certain elements of human behaviour which cannot be expressed by machines, and questions the future possibilities of what it means to be human as we become increasingly dependant on technology.
Everything Ages Fast
How great is the alphabet.
By Alessandro Novelli:
Hollie Chastain
two dots
The Spider
A powerful animation by Juan Delcan. Animation created as a gift to Louise Bourgeois, the poem is from her friend Gabor Barabas. The music “I’ll read you a story” by Colleen, written by Cecile Schott (Use Courtesy of The Leaf label by arrangement with Woodwork Music.
